Zu: Spirituelle Desinfektion von Amathaon (Ausg. 20)
Liebe Gundula, lieber Frank,
vielen Dank für den neuen ‘Golem 20’, er gefällt mir wieder sehr gut! Vor allen Dingen der Artikel ‘Spirituelle Desinfektion’ von Amathaon hat es mir angetan. Ich kann ihm/ihr übrigens helfen: Der von ihm/ihr gesuchte chaosmagische Text (siehe Anm. 24) bezüglich der Chaos-Anrufung ist zuerst 1978 in ‘Chaos International’ erschienen, die deutsche Übersetzung ist enthalten in ‘Das Buch der Resultate’ (Book of Results) von Ray Sherwin, erschienen 1993 im Bohmeier Verlag, ISBN: 3-89094-269-5. Ich hoffe, ich konnte hier mit weiterhelfen!
[...]
Liebe Grüße
Uwe Möhring

THE CALTROP OF CHAOS

THE MAGICIAN STANDS AT THE CENTRE OF THE TEMPLE. HAVING
COMPOSED HIMSELF DY BREATHING DEEPLY AND REGULARLY HE SAYS:
In the beginning, four forces joined in perfect absolution. The end will be the same.
Aleph is Omega. The four are one and the one is the world. All comes from the unity of
the four. All exists because they are separate.
There are four forces. Gravity, electro magnetism, weak and strong. These forces are
responsible for this and previous universes. When the four come together the big bang
occurs, ending one universe and beginning another. This doctrine is similar in some ways
to the classical notion of the four elements.
The magician now goes on to identify the powers with the cardinal points.
FACING ANY CARDINAL POINT THE MAGICIAN INTONES THE MANTRA,
VlSUALISlNG AS HE DOES SO A SEGMENT OF WHITE L1GHT, THE ENERGY
RUSHING AWAY FROM HIM HE REPEAT’S THIS AT THE REMAINING THREE
POINTS.
le arbaa ka yikun gamaa agiba ka ta’ala nu yikun sowaa
The mantra has a twofold application since it is used both to dissolve the magician’s ties
with concensus reality and to emphasise the influx of energies and powers which bring
about the state of otherness and allow for the performance of magick. It is almost
impossible to compose a mantra in English to perform these functions for two reasons. 1)
In order to be maximumly effective it needs to be vibrated in one breath with stresses on
the second and fourth syllable of each line so that the whole mantra gives an effect not
unlike the thrum of a steady, deep-noted engine. 2) By creating mantras
autoschediastically and then meditating on them to ally the sound to the meaning, a great
deal of information can be telescoped into a relatively short mantra. The intended
meaning of this particular mantra is: ‘Let the effect of the four forces come within my/our
reasoning. Let chaos pervade me/us and concentrate me/us in the strange realm (of
impressions and power)”.
FACING THE FIRST POINT AGAIN THE MAGICIAN SAYS:
Let Chaos and Cosmos combine!
Chaos and cosmos are always combined anyway but not necessarily within our reasoning.
The purpose of the Caltrop is to reinforce the notion within our sphere of knowing.
HE PAUSES TO REINFORCE IN HIS (OR THE GROUP’S) IMAGINATION THE
RITE SO FAR. THEN HE CONTINUES:
Before the first! Beyond the last! The unknowable pulse, unwitting of time, pervades the
rigid forms. Improbable Chaos, in between the lines, contrives the whirling dance.
Chaos is not confined by time or by big bangs. It is improbable in the scientific sense and
allows for the improbable to occur within the inertial frame of the knowable.
TURNING TO THE FIRST CALTROPIC POINT HE VIBRATES THE MANTRA,
VISUALISING AN INRUSHING BLACK SEGMENT OF ENERGY, KNOWING
THAT THE MEDIUM OF IMPROBABILITY IS BEING INVITED IN. HE REPEATS
THIS AT THE THREE REMAINING POINTS AND THEN, FACING THE FIRST
POINT AGAIN HE SAYS:
Let Chaos and Cosmos combine!
THE MAGICIAN IS THEN READY TO PROCEED TO THE MAIN BODY OF THE
RITE AT THE END OF WHICH THE CALTROP SHOULD BE PERFORMED IN
REVERSE, THE BLACK CHAOS ENERGY RUSHING OUT THE WHITE COSMOS
ENERGY RUSHING IN.
It is easiest to visualise the Caltrop and its flowing energies on a flat plane but much
better to imagine the wedges reaching to infinity above and below, oneself at the centre.